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Industry News
Woke Broke Movies: Does Hollywood Care?
An editor once taught me an invaluable tip about liberal media bias. Sometimes the real news in a story is…
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Interviews
HiT ‘cast Episode 138: Justin Folk (‘No Safe Spaces’)
Justin Folk isn’t a comedian or a college student. He hasn’t even been “canceled” by any aggrieved group as of…
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Reviews
‘Waves’ Offers Hope, Healing and Superlative Drama
Trey Edward Shults pulls a Babe Ruth with “Waves.” The writer/director metaphorically points to the fences, asking us to buy…
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Reviews
Scorsese’s De-Aged ‘Irishman’ Caps Epic Gangster Canon
“The Irishman” spends a good 20 minutes making you pine for better gangster movies from living legend Martin Scorsese. Been…
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Reviews
‘Ford v Ferrari’ Delivers Two Very Different Award-Worthy Turns
Watching Oscar-bait films shouldn’t feel like doing your homework. Too often expertly crafted tales have the whiff of a history…
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Reviews
‘Feast of the Seven Fishes’ – Small Town USA’s Overdue Closeup
I started dating my first girlfriend shortly after moving to Minneapolis to attend university. Extremely nervous about meeting her parents…
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Reviews
‘South Park: Bigger, Longer & Uncut’ Must Be Seen Again Today
One of my least favorite movie review cliches is to say something is “more relevant now.” Was it not relevant…
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Reviews
Why ‘The Shed’ Asks Too Much of Hardcore Horror Fans
Dumb and horror go together like peas and carrots, to paraphrase a Gumpian prophet. Half the fun of watching horror…
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Reviews
‘Charlie’s Angels’ – Kicks, Punches and Feminist Lectures
“Charlie’s Angels” 3.0 basks in feminist groupthink before finding its true north. It’s “Fast & Furious” lite. Very, very lite.…
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Opinion
Stone’s ‘South of the Border’ Aged as Poorly as Possible
What a difference a decade makes. Ten years ago, director Oliver Stone uncorked a love letter to Latin America dubbed…
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