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Reviews
Why ‘The Unholy’ Is Solid But All Too Familiar Horror
The horror genre has been surprisingly kind to Christians of late. The hacky 2020 shocker “We Summon the Darkness” proved…
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Reviews
How ‘French Exit’ Never Stop Surprising Us
Azazel Jacobs’ “French Exit” begins with Frances Prince, a wealthy Manhattan social figure (Michelle Pfeiffer), discovering she’s gone completely broke.…
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Industry News
PolitiFact Gaslights Readers on Late Night’s Comically Obvious Liberal Bias
Savvy readers long ago stopped trusting fact checking services, and for very good reasons. Sites like Snopes.com often go to…
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Industry News
Woke Media Hits New, Embarrassing Low
Today’s brave, bold journalists often let Twitter serve as their editor’s desk. If they see something on social media they…
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Industry News
‘SNL’ – From Subversive to Serving the Corporate Elites
The current “Saturday Night Live” is as edgy as a spork after a few passes with a belt sander. Irreverent…
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Industry News
Could Colbert Survive His ‘Racist’ Asian Jokes Today?
Western culture looked radically different seven years ago, but it still gave us a preview at what was heading our…
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Reviews
How Scorsese’s ‘Cape Fear’ Did More Than Trump the Original
Martin Scorsese’s “Cape Fear” is a remake of a good movie, the 1962 Robert Mitchum/Gregory Peck thriller of the same…
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Reviews
TAKE TWO: ‘Nobody’ Keeps Us on Our Toes
“Nobody” casts Bob Odenkirk as Hutch Mansell, a family man whose life is a mix of quality family time, working…
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Lists
Must-Read Movie Books for Your Library: From Kubrick to Hitchcock
In my undistinguished career as a filmmaker–consisting of a few Super-8 reels in my green days and a zero-budget sci-fi…
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Reviews
Odenkirk’s ‘Nobody’ Flunks Vigilante 101
There’s bait and switch movies, and then there’s “Nobody.” It’s fine for a film to start one way and radically…
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