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HiT Blu-ray Review: ‘Wild Card’
It’s an opportune moment for critics of “Wild Card” to poke fun at Statham’s latest outing, out March 31 on home…
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HiT Play Review: DCPA’s ‘One Night in Miami…’
Lean too heavily on fiction, and you’re bound to upset purists while opening oneself up to charges of wishful thinking.…
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HiT Movie Review: ‘The Gunman’
Penn is targeting aging action hero status with “The Gunman,” directed by the man who gave Neeson his “Taken” boost:…
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Why Fantasy Films Matter More than Ever
The short answer for me would be “yes.” I would be perfectly happy to give that simple answer and stroll…
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‘Home’ Director Slips in Political Asides for Parents
No, the director of “Antz,” “Over the Hedge” and the new DreamWorks feature “Home” doesn’t fill his movies with inappropriate…
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HiT Movie Review: ‘Beyond the Mask’
The Christian film scene is growing rapidly, allowing for pointed satire (“Believe Me“), straightforward horror (“The Remaining”) and screwball comedy…
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’80s Redux: Why New Wave Music Mattered
If you live long enough, I guess it’s something you have to face: at some point the music of your…
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Why ‘Bates Motel’ Enhances, Expands on ‘Psycho’ Legend
Annual viewings in either my film classes or on my own only solidified my deep infatuation with it. The story…
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Sean Penn Shoots Mouth Off, Latest Film Tanks
Penn’s new film, “The Gunman,” is expected to pull in less than $6 million in its opening frame, a far cry…
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HiT Movie Review: ‘Zombeavers’
Ever since that Syfy film made “so bad it’s good” filmmaking cool it opened up the market to movies that…
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