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Reviews
‘Anesthesia’ Grows Numb to Its Own Cliches
Booze. Drugs. Sex. Got pain? Society has a way to make it disappear. The title of Tim Blake Nelson’s new…
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Reviews
Coen Brothers’ ‘Hail’ Hollywood with Half Measures
The brothers behind classics like “Raising Arizona,” “No Country for Old Men” and “Fargo” can’t be bothered to assemble a…
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Reviews
Redemption Gets Clumsy Close-up in ‘Convergence’
“Convergence” begins with that politically-correct premise. Is this what the indie world has to offer, storylines that play into MSNBC’s preferred narrative…
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Movie News
Super Bowl Banter: Broncos, Panthers Talk Movies
The folks at Fandango quizzed both the Super Bowl bound Carolina Panthers and Denver Broncos this week about their movie…
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Opinion
Hollywood’s Twin Obsessions: The Blacklist and Watergate
Coming soon is “Felt,” a Watergate biopic of “Deep Throat” himself. Liam Neeson will star as FBI agent W. Mark Felt,…
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Interviews
Why Nicholas Sparks Won’t Work Blue … Ever
Nicholas Sparks’ novels keeps getting adapted into big screen love stories. The 2004 film version of Sparks’ “The Notebook” may be…
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Industry News
What About These Muslim Characters, Obama?
The president spoke at a Baltimore mosque, marking his first visit to a Muslim house of worship during his seven-plus…
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Reviews
Critic vs. Critic: ‘Lazer Team’
Wurst is a film professor, movie critic for MauiTime and founder of the Hawaii Film Critics Society. And he torched…
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Movies
Murray’s ‘Kasbah’ Demands a Second Chance
The comedy explores some serious issues, and it takes place where comedy rarely blooms: Afghanistan. For those who praise trigger warnings…
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Reviews
‘Our Brand Is Crisis’ Can’t Make Up Its Mind
It’s a story following political consultants working in a South American presidential election, one of whom happens to be America’s…
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