Movies
Today’s audiences don’t just watch movies at the local cineplex. They screen them on their laptops, tablets and smart phones as well. The genres may be different, but Hollywood in Toto looks at entertainment value first and foremost when helping you pick the best movie for your favorite media player.
-
‘The 355’ Can’t Get Anything Right
Simon Kinberg’s “The 355” opens with a logo for Freckle Films, the production company of its star, Jessica Chastain, and…
Read More » -
‘The 355’ Offers a Greatest Hits Package of Action Movie Tropes
One look at “The 355” and it’s hard not to ask a simple question. Just how woke will it be?…
Read More » -
‘Final Fantasy: The Spirits Within’ Tried, and Failed, to Change Cinema
“Final Fantasy: The Spirits Within” wanted to change the way movies were made, challenge our ideas of what a movie…
Read More » -
‘An American Tail – The Rise and Fall of Fievel Mousekewitz
Don Bluth’s “An American Tail” was an ambitious collaboration between the animator, whose “The Secret of NIMH” (1982) was a…
Read More » -
Here’s the Best Reason to Watch ‘Sing 2’
Buster Moon, the entrepreneurial koala bear voiced by Matthew McConaughey, is back. With the future of his Moon Theater in…
Read More » -
HiT’s Worst Movies of 2021
Hollywood traditionally holds back its Oscar-bait movies until the year’s fourth and final quarter. Cinematic stink bombs, by contrast, can…
Read More » -
‘Matrix Resurrections’ Can’t Even Top Lackluster ‘Loaded,’ ‘Revolutions’
Lana Wachowski’s “The Matrix Resurrections” is proof that two Wachowskis are better than one. I can’t blame the disappointment of…
Read More » -
‘The King’s Man’ Forgets Its Own Franchise
The first few moments of the “Kingsman” prequel suggest a full on woke makeover for the stylized spy saga. An…
Read More » -
HiT’s Best Movies of 2021
This critic dreads one event of the movie year beyond all others – Oscar night. The show, once a beloved…
Read More » -
‘Lost Daughter’ Lets Beautiful Performances Guide Us Through an Ugly Story
“The Lost Daughter” is the directorial debut of Maggie Gyllenhaal, whose first work as a filmmaker demonstrates her ability to…
Read More »
