Reviews
Today’s consumers have more entertainment options than ever before thanks to technology and the explosion of new media outlets. That’s why Hollywood in Toto will help readers suss out the very best content across media. We all lead busy lives. Let’s consume only the highest quality movies, television shows and music with our limited leisure time.
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‘Screened Out’ Is the Warning Our Digital Age Demands
Director Jon Hyatt’s “Screened Out” sprung from the realization he’d been staring too much at his phone and not enough…
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‘Military Wives’ Honors More Than Just the Troops
Few directors are better suited to material like “Military Wives” than Peter Cattaneo The man who gave us “The Full…
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Netflix’s ‘Jeffrey Epstein: Filthy Rich’ Lets His Victims Speak
The Jeffrey Epstein scandal is far from over. Yes, the disgraced billionaire allegedly took his own life last year while…
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‘Inheritance’ Slams the Rich Along with Common Sense
You have to admire a film that dispenses with any pretense of plausibility. “Inheritance” starts in sober fashion, but before…
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How ‘The Wrong Missy’ Bungles the Rom-Com Template
There’s cast against type, and then there’s David Spade’s presence in “The Wrong Missy.“ Spade forged his comic identity as…
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‘Union Bridge’ Asks Too Much of Its Audience
Will Shipe looks lost through much of “Union Bridge.” He’s a grown man who still listens to his mamma and…
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‘Surrogates’ Has Never Been More Relevant
You’d be hard-pressed to find someone today talking up 2009’s “Surrogates,” but the science fiction gem has never been more…
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‘Twin Peaks’ at 30: The Essential Guide to Watching Lynch’s Vision
This year marks the 30th anniversary of “Twin Peaks,” David Lynch’s game-changing series that expanded the possibilities of network television.…
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‘Nightmares’ Is Creepy, Campy ’80s Fun
Horror films aren’t often cited as nostalgia generators, period pieces or movies that bottle up a specific time and place.…
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Yes, Both ‘Chinatown’ and ‘The Two Jakes’ Are Screen Classics
Some cinema textbooks list two unlikely works representing the post-Watergate/post-Flower Power Generation at its most cynical: “The Texas Chainsaw Massacre”…
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