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Reviews
Faith-Friendly ‘Vigil’ Knows When to Make Us Laugh, Cringe
“The Vigil” is an exercise in horror that effectively builds its character and narrative tensions in the first half only…
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Reviews
Disney’s ‘White Fang’ – No CGI, All Heart
The Walt Disney Company has a history of making great films about animals, nature and the harsh realities of living…
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Reviews
‘Raiders’ at 40: Indy Hasn’t Aged a Minute
Halfway through Steven Spielberg’s “Raiders of the Lost Ark,” Indiana Jones sneaks into the mythical map room and discovers the…
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Reviews
How Lynch’s ‘Mulholland Drive’ Invaded Our Dreams
The opening of David Lynch’s “Mulholland Drive” is a delirious jitterbug sequence, in which figures dance all over the screen.…
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Reviews
How ‘Silence of the Lambs’ Shattered the Horror Movie Mold
Jonathan Demme’s “The Silence of the Lambs” introduces each of its main characters by showing them in their home or…
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Reviews
How ‘Barton Fink’ Let the Coen Brothers Push Us to the Limit
Throughout “Barton Fink,” a film producer named Lipnick (Michael Lerner, in an Oscar-nominated turn) speaks of craving “that Barton Fink…
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Reviews
How ‘Judas and the Black Messiah’ Captures History in Sizzling Detail
“Judas and the Black Messiah” begins in Chicago, 1968, where we meet a car thief whose ruse is to impersonate…
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Reviews
‘The Crow: City of Angels’ Remains a Sorry, Stupefying Sequel
A bad sequel feels like an act of betrayal. The question isn’t ‘why did they make this (the obvious answer…
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Reviews
‘Run’ Is the Movie McDreamy Fans Forgot
There aren’t a lot of R-rated Disney action movies, but “Run” remains a supreme guilty pleasure from the Mouse House.…
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Reviews
How ‘Son of the South’ Misses Big Picture on Race, Reconciliation
Director Barry Alexander Brown’s “Son of the South” depicts the “based on a true story” legacy of Bob Zellner, the…
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