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Reviews
‘Emily the Criminal’ Plays Victimhood Violin
“Emily the Criminal” works best as time capsule fodder. Aubrey Plaza plays a down-on-her-luck soul saddled with college debt and…
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Industry News
National Lampoon Squeezes IP for NFTs (After Woke Podcast Bust)
National Lampoon’s revival happened at the best possible time. The legendary brand got a second lease on life in 2019.…
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Reviews
We Need ‘Beavis and Butt-Head’ Now More Than Ever (Here’s Why)
Bringing “Beavis and Butt-Head” back to the small screen isn’t the worst idea in recent memory. Making a live-action “Pac-Man”…
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Reviews
Rafelson’s ‘Black Widow’ – An ’80s Thriller for Grown-Ups
Bob Rafelson’s “Black Widow” (1987) is modern film noir and an undervalued gem about being a tourist in one’s own…
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Industry News
What’s Missing from the James Franco/Fidel Castro Debate
Louis C.K. could be telling jokes into his 80s, but chances are the press will still bring up how he…
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Interviews
‘Off Limits’ – A Conservative Assault on Late Night ‘Clapter’
“Gutfeld!” crashed Colbert and co.’s late night party last year, rocketing up the ratings charts in the process. Can a…
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Industry News
Winners, Losers of 2022’s Summer Movies (And 1 Question Mark)
We still feel the need for speed. Audiences had to wait, and wait, for Tom Cruise’s “Top Gun: Maverick” to…
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Reviews
Louis C.K.’s ‘Fourth of July’ Delivers First-Rate Dysfunction
You’d drink, too, if you had to spend time with the brood in “Fourth of July.” Director Louis C.K.’s film…
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Industry News
Can Woke Hollywood Survive Biden’s Recession?
Get woke, go broke they said, but Hollywood didn’t listen. Progressive project after progressive project fizzled, but studio bean counters…
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Reviews
‘They/Them’ – Scare-Free Horror Triples Down on Woke
There’s an exciting horror film trapped beneath “They/Them,” but everyone involved refused to let it out. Horror remains the best…
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