Country crooner Steve Earle won’t be wearing a MAGA hat on tour anytime soon.
Three years ago Earle called President Donald Trump a “fascist” and predicted the GOP Leader wouldn’t finish his first (and presumably only) term. Earle may hate Vice President Mike Pence even more.
You can hear Earle’s socialist leanings in both his interviews and songs. His latest record, “Ghosts of West Virginia,” is a bit different, though.
Earle extends a hand to an unlikely demographic on the 10-song release: Trump voters.
Compare that to other entertainment outlets. “Saturday Night Live” famously called Trump supporters racist.
Conan O’Brien called them “Nazis.” Twice failed presidential candidate Hillary Clinton famously dubbed them the “deplorables,” a name they embraced with snarky pride.
In that 2017 interview, Earle showed some compassion for voters he hotly disagrees with on most, if not every issue, imaginable.
“…maybe that’s one of the things we need to examine from my side because we’re responsible too. The left has lost touch with American people, and it’s time to discuss that.”
Earle is talking, and singing, about Trump voters, again, in the push for his newest album set for a May 22 release. He even shared some of those thoughts via the New West Records press push for the album.
Earle, who suffers from partial hearing loss in one ear now, returns with his backing band The Dukes (Chris Masterson on guitar, Eleanor Whitmore on fiddle & vocals, Ricky Ray Jackson on pedal steel, guitar & dobro, Brad Pemberton on drums & percussion, and Jeff Hill on acoustic & electric bass.)
The album’s title ties to a deadly coal mine explosion in 2010 that took the lives of 29 workers. The disaster sent Dan Blankenship, the CEO behind the mining company, to jail for a year. Prosecutors said Blankenship, AKA the “king of coal,” ignored serial safety warnings to pursue bigger profits.
The album’s first single, “Devil Put the Coal in the Ground,” recognizes what mining means to the people and culture of West Virginia.
The singer/songwriter would probably sing the Green New Deal’s praises if he could, but the new album isn’t about picking fights. Consider his thoughts shared via the press release announcing the album and upcoming tour dates:
“I thought that, given the way things are now, it was maybe my responsibility to make a record that spoke to and for people who didn’t vote the way that I did,” he says. “One of the dangers that we’re in is if people like me keep thinking that everyone who voted for Trump is a racist or an a**hole, then we’re f***ed, because it’s simply not true.
So this is one move toward something that might take a generation to change. I wanted to do something where that dialogue could begin.
I said I wanted to speak to people that didn’t necessarily vote the way that I did, but that doesn’t mean we don’t have anything in common. We need to learn how to communicate with each other. My involvement in this project is my little contribution to that effort. And the way to do that — and to do it impeccably —is simply to honor those guys who died at Upper Big Branch.”