Movies
Today’s audiences don’t just watch movies at the local cineplex. They screen them on their laptops, tablets and smart phones as well. The genres may be different, but Hollywood in Toto looks at entertainment value first and foremost when helping you pick the best movie for your favorite media player.
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‘Good Boy’ Finds the Humor in a Singleton’s Ruff Dating Life
“Good Boy” works better as a sly cultural commentary than a horror film. The Hulu original, part of its “Into…
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How ‘Strange Days’ Predicted Our Turbulent Times
“Strange Days” is a prophetic work of science fiction showing how an obsession with technological taboos and voyeuristic imagery will…
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Uber-Feminist ‘Shirley’ Takes Us Into the Troubled Author’s Mind
Woke Hollywood does a two-step when it comes to revisiting the past. Take Greta Gerwig’s “Little Women,” a mostly faithful…
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‘The Aerialist’ Takes Flight and Stays Aloft
And you thought Jennifer Lopez was a legend for workin’ a stripper pole in “Hustlers.” Dreya Weber is a physical…
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‘You Don’t Nomi’ Rushes to Defend ‘Showgirls’
In the same year we celebrate (or mourn) “Showgirls'” 25th anniversary, the new documentary “You Don’t Nomi” explores the film’s…
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These Thugs Should Have Never Messed with ‘Becky’
You’d think casting not one but two comedians in dramatic roles would be “Becky’s” biggest selling point. Lulu Wilson begs…
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How ‘Shoot to Marry’ Captures Love, American Style
Filmmaker Steve Markle isn’t interested in a Tinder one-night stand. He wants love, marriage and maybe even that baby carriage.…
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Why We All Miss Gene Hackman
Gene Hackman hasn’t been in a movie since 2003. Before retiring from the profession, his last screen credit was co-starring…
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‘Knight of Cups’ Deserves a Second Look
If you asked me to name the three best love movies ever made I’d choose, “Casablanca,” “The Unbearable Lightness of…
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Why ‘The High Note’ Should Have Gone All the Way
Tracee Ellis Ross leans into her character’s diva DNA early in “The High Note.” The “Black-ish” star’s Grace Davis is…
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