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Reviews
‘Let Him Go’ Uses, then Discards, Two Powerhouse Performances
The first two acts of “Let Him Go” should meet the final act sometime. Maybe go get a drink, get…
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Reviews
Review: Wes Anderson Tome Tries Too Hard to Mimic the Man Himself
The moment I realized Wes Anderson had become a major figure in American film was when I met a partygoer…
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Reviews
‘What Killed Michael Brown?’ Turns Tables on Media’s Race Narrative
The most effective way to examine the death of Michael Brown is to lower the heat. That hardly seems possible…
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Reviews
Why Both the Left and Right Hated Netflix’s ‘Teenage Bounty Hunters’
So Netflix canceled the brilliant and funny “Teenage Bounty Hunters” after just one season. That’s both sad and entirely predictable…
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Uncategorized
Here’s What Makes Faith-Based ‘Miracle on Christmas’ Different
What a phenomenon the Christmas movie has become. Between the Hallmark networks and Lifetime, some 70 new Yuletide flicks will…
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Reviews
Tobe Hooper’s ‘Funhouse’ – A Trip You’ll Never Forget
This year should have been the 98th annual county fair that takes place in my state. While some have never…
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Industry News
Woke IndieWire Shredded by Its Own Liberal Readers (Again)
Two rules of thumb apply to today’s woke culture. The first is something Hollywood ignores at its own peril –…
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Interviews
Ava Aston Balances Singing, Supporting Conservative Causes
Singer and unabashed patriot Ava Aston isn’t a fan of artists disrespecting the National Anthem. The version AlfonZo Rachel wrote…
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Reviews
Landmark ‘Dead of Night’ Still Haunting 75 Years Later
You can tell if a movie is genuinely a classic by how many works were influenced by it. After all,…
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Reviews
‘Come Play’ Recycles Too Many Horror Tropes to Scare Us
There’s finally a new book to put on the cinematic shelf next to “The Babadook.” Naturally, it’s a cyber-edition, one…
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