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Reviews
‘Somebody I Used to Know’ Delivers Uneven Love Triangle
Love triangles are both a rom-com staple and brutal to deploy with precision. Make one of the parties too villainous,…
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Industry News
Madonna Shrewdly Plays the Victim Card
You can’t craft a career like Madonna’s without playing the media … and us. The Material Girl never had the…
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Industry News
Grammys Cower Behind Anonymous Votes to Blast Woke Overreach
The recent Grammy telecast included a standing ovation for trans singer Kim Petras. It’s what you’d expect from an awards…
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Reviews
‘Among the Beasts’ Flirts with First-Class Excitement
Few recent films start with as much intrigue as “Among the Beasts.” The thriller shows a formidable bond between a…
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Industry News
Critics Call ‘Magic Mike’s Last Dance’ Too Woke
Channing Tatum can’t quit “Magic Mike.” The franchise, named after Tatum’s buff main character, returns this weekend for one last…
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Industry News
No Politics During Super Bowl, Please
This year’s Super Bowl matchup promises a game for the ages. Kansas City Chiefs’ QB Patrick Mahomes may be nursing…
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Industry News
David Gilmour Calls Roger Waters ‘Antisemitic to the Core’
Band members don’t always get along like peas and carrots. Roger Daltrey and Pete Townshend have been bickering for decades,…
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Industry News
Megyn Kelly Calls Disney’s ‘Proud Family’ CRT Push ‘Absolute Filth’
Disney’s brand took hit after hit last year, and 2023 is off to a similar start. The Mouse House’s decision…
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Opinion
Jay Mohr’s ‘Action’ Flipped Bird to Hollywood, Inc.
“Action” was made for a niche audience in 1999: people who hate Hollywood but love movies. A good comparison for…
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Industry News
Is Shyamalan’s Box Office Run Over?
M. Night Shyamalan’s career has more ups and downs than the elevator in his 2010 thriller, “Devil.” The director’s “Sixth…
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