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Reviews
Why ‘The Fall’ Stands Tall 16 Years Later
Tarsem’s “The Fall” (2008) was the last film I saw the year it came out, as I was rushing to…
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Reviews
Here’s One Way Howard’s Puckish ‘Paper’ Aged Badly
Ron Howard’s “The Paper” (1994) opens with the image of a giant clock, visually indicating how the characters we’re about…
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Industry News
De Niro Hijacks ‘Megalopolis’ Q&A, Rages Against Trump
What did they expect? The team behind Monday’s “Megalopolis” IMAX screening invited two of Hollywood’s biggest Trump critics to celebrate…
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Industry News
Howard Stern: Ex-Free Speech Warrior Sides with Censors
We’re still wondering what George Carlin would say 16 years after the comedy legend’s death. Few fought harder for the…
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Uncategorized
The Ugly Truth Behind Janet Jackson’s Kamala Apology
We haven’t had a full-bodied “hostage”-style apology for a while. We were overdue. Superstar Janet Jackson did the honors this…
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Contributors
‘Mulberry Street’ Play Evokes Serling’s ‘Twilight Zone’
A suburban family confronts an unfathomable mystery when friends and neighbors suddenly begin vanishing without a trace. “Our Town” meets…
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Reviews
Walken’s ‘Communion’ Remains Riveting and Ridiculous
Phillippe Mora’s “Communion” (1989) is, alongside the notorious failure of “Wired,” the most peculiar film of its movie year. The…
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Reviews
‘Civil War’ Will Be Watched, and Studied for Years
So thanks to MAX I finally got to see Alex Garland’s “Civil War.” I had heard the reaction fell into…
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Media Bias
Matt Walsh Exposes Critics Blacklist Against ‘Am I Racist?’
The goal behind “Am I Racist?” isn’t to answer the titular question. That’s just a clever marketing move. It’s to…
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Movies
‘The Substance’ Turns Body Horror Into Sheer Revulsion
Socially conscious horror isn’t as easy as it looks. If the message is strong, the genre elements take a back…
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