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Could ‘Sinners’ Shock the World on Oscar Night?

Ryan Coogler's vampire smash gains steam against seemingly unstoppable 'Battle'

This year’s Oscar race for Best Picture was over before it began.

Or is it?

Director Paul Thomas Anderson’s “One Battle After Another” had everything necessary to win the big prize on Oscar night.

  • An A-list director beloved by critics
  • Rave reviews from said critics
  • An A-lister synonymous with awards season (Leonardo DiCaprio)
  • A story ripped from the Left’s current fever dreams (ICE Out, Bleep ICE)

Done and done.

There’s suddenly some doubt in Tinsel Town about “OBAA’s” inevitability, or at least a sliver of it.

Sinners | Official Trailer

For starters, “OBAA” has been in the lead from the jump. Sometimes awards season momentum can stall. It doesn’t make sense, but what about this season does?

It’s like a political campaign. Millions are spent to change hearts and minds, and the nominated artists weigh their words carefully in media interviews.

Secondly, “Sinners” has picked up a few important wins, including the recent Actor Award for best movie cast. That honor suggests it might be building some momentum on its own.

Plus, the film did score a whopping 16 Oscar nominations, the most in film history. Can it really exit, stage Left, when the night’s biggest prize is handed out?

There’s an X factor in play, one nobody saw coming. Late last month, a Tourette syndrome sufferer said the n-word just as “Sinners” stars Michael B. Jordan and Delroy Lindo took the stage at Britain’s BAFTA ceremony.

The timing was awful. The historic precedent behind the word? Just as tragic. And, of course, the person who uttered it wished he had said anything other than that sour, six-letter slur.

The reaction has yet to die down, even though the person who said the revolting word literally couldn’t help himself. His condition made him do it.

Period.

That hasn’t stopped the film community or the Legacy Media from turning the unfortunate moment into a near-daily story. Multiple apologies weren’t enough.

The person who said the word, a deeply regretful John Davidson, couldn’t contain the fallout.

Could that change the very nature of the Best Picture race? Might that incident influence enough voters to mark down “Sinners” and not “OBAA?”

The Guardian article arguing on “Sinners'” behalf describes in detail how the film captures core elements of the black experience. “OBAA” only glancingly does so.

Will that be a difference maker for an industry known for its virtue signaling?

We’ll find out on March 15 when the golden statuettes are handed out.

5 Comments

  1. I’ve been to see one film so far this year, and that was “Melania”. Until film makers decide to entertain instead of being “relevant”, it’s assumed the “entertainment” industry will continue to flat line. Especially, if those choosing a film’s subject material are convinced that “Real Housewives” is high literature.

  2. OBBA lost me with sean penn. Sinners lost me at sinners. The oscars are irrelevant to movie going public, the oscars are a mutual masturbation cult.

  3. Another movie that checks the boxes, but not that great or fulfilling to watch. 2025 was a bad year for films.

  4. I liked it well enough, but it seems overhyped. It’s a more grounded version of From Dusk Till Dawn, and not very original for that genre except that he played two roles (which I think would have been better using a different actor). It’s no Night of the Living Dead or 28 Days Later.

    1. more grounded is a curious sentiment

      as for capturing core elements of the Black experience…

      Are vampires a core Black experience? Maybe opening your own small business, but contradicts the oppression narrative.

      What part of the core Black experience does this capture?

      Unethical fat white racist going back on his word? Maybe I m pretty sure that also happened to poor white people.

      Sarah’s Oil does a better job of everything this film is supposed to be doing, but crickets

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