HiT Movie Review: ‘Chappie’

Shyamalan dazzled audiences with both “The Sixth Sense” and “Unbreakable” before devolving into the hack responsible for “Lady in the Water,” “The Happening” and “After Earth.”

Blomkamp drew huzzahs for his “District 9” debut, but his follow-up “Elysium” proved a bloated rant in favor of open boarders and universal health care.

Blomkamp’s third feature, “Chappie,” continues that dispiriting downward trend. It’s more proof his early promise was as real as that Nigerian prince’s email caught in your spam filter.

CHAPPIE - Official Trailer (HD)

“Chappie” begins with a “Robocop” style solution for Johannesburg’s crime wave. A company floods the city with robotic police officers to augment the flesh and blood cops. The result? More dead bad guys and safer citizens.

The program is a smash, which enrages one company inventor (Hugh Jackman) who would rather send his own anti-thug robot into the fray.

Enter Deon (Dev Patel, overacting in line with his co-stars), who comically stumbles upon artificial intelligence and installs it into a badly damaged robo-droid. Thus “Chappie” is born, a child-like creation who learns with the speed of a supercomputer.

When Chappie falls into the hands of thugs who shop at the Mad Max Fashion Emporium, the robot’s real-world education begins.

“Chappie” lacks the overt soapboxing that made “Elysium” such an endurance test. But that film’s one-note characters are firmly in line with what he see here. Jackman gets his worst role in some time, but so does Sigourney Weaver as the robot company’s president.

No one comes off well in “Chappie,” particularly Sharlto Copley who provides the movement and voice for the titular robot. He’s not nearly as endearing as we need him to be in a film like this.

Then again, why are we asked to root for villains like Chappie’s sorta-surrogate parents? And why steal so many beats from a classic like “Robocop” without improving on any of them?

“Chappie” offers glimpses of inspiration. Once more Blomkamp delivers an intriguing canvas of societal rot, and the battle to keep crime at bay is a ripe subject for inspection.

The film’s modest budget gives it an edge on paper, forcing us to care about the characters and situations, not the razzle dazzle. But when said characters lack texture and the final act packs on the generic action we hunger for a CGI trick to pick up the slack.

“Chappie” isn’t the work of a revolutionary new talent trying out his tricks on movie goers. It’s a recycled romp made of spare parts that fit better elsewhere.

DID YOU KNOW: Director Neill Blomkamp has been hired to make a new “Alien” sequel starring Sigourney Weaver.



is a police robot all but taken out of


  1. I gave Chappie a chance; as a major science fiction fan who looks forward to movies that try to approximate the best of the written work in the genre, I was hoping and willing to like it more than the critics, but alas, it was as poorly-executed as everyone said. It made lament even more that Harlan Ellison’s brilliant screen adaptation of Isaac Asimov’s I ROBOT was never produced.

  2. Blomkamp is another Hollywood Liberal that lets his vision be guided by his ideology while trying to pass it off as global entertainment.

  3. Those “thugs” are the coolest duo to come out of SA since Mandela and J.R.R. Tolkien. I’ve only seen the trailer, but I was happy to see DIE ANTWOORD was in the movie; they’re interesting artists who five years ago blew away the music scene. SA is a different place, with very different views of authority and boarders, not defending the movie, but I understand the context from which it sprung. You know who was the first M. Knight Shyamalan? George Lucas.

  4. This is my greatest fear, that Blomkamp is on an M. Knight Shyamalan death spiral and he’s going to take Alien down with him.

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