Indie Doc Goes Where Hollywood Fears to Tread
The entertainment industry wasted little time targeting Donald Trump.
The reality show star’s ascent sent Hollywood into creative hyperdrive. We quickly saw a movie parody based on his ’80s era antics (Johnny Depp’s “The Art of the Deal”). Far-left filmmaker Michael Moore rushed out a pre-election documentary centered on the future president.
TV show after TV show altered its programming to embrace “The Resistance.” The progressive movement attempted to overturn the will of the people by removing Trump from office before he even set foot in the White House..
It all happened in less than a year. And we’ll be seeing the fruits of this new creative push for months, if not years, to come.
And then there’s ISIS.
The radical Islamist group’s barbarism is the stuff of our worst nightmares. And they’re on the march. ABC News succinctly captures ISIS’s impact on the globe last year:
…the world’s most brutal terrorist network, not only responsible for thousands of deaths in the Middle East but also linked to hundreds more in dozens of terrorist plots in the West.
It’s been that way since President Barack Obama dismissed the group as a “JV” threat in 2014.
That “threat” powers “City of Ghosts,” a new documentary from Amazon Studios. The feature introduces us Syrian men from the city of Raqqa. They’re fighting back against the Islamic State forces which took over their once-peaceful region.
How? By capturing their ghastly crimes and sharing them across the globe. They’re risking their lives with ever Tweet.
It’s alternately fascinating and frightening. We watch amateur video of ISIS speeches, see innocents casually killed and process propaganda attempting to win over converts.
Those who resist are killed.
So why aren’t we seeing major movies or TV shows where ISIS represents the villain? Productions take time between the initial concepts and the release dates. Isn’t three years enough time for Hollywood to act?
Villains for Hire
Tinsel Town has turned to Nazis as a go-to enemy for generations. They’re still doing it. Consider the heroic tale of the Allied-powered rescue in 1940 France in Christopher Nolan’s “Dunkirk” as the most recent example.
Why not ISIS?
Shouldn’t Channing Tatum be fighting ISIS soldiers in a gritty war blockbuster? Perhaps Tom Hardy and Charlize Theron could re-team for a ripped from the headlines thriller about the men and women sacrificing themselves to stop ISIS attacks.
An argument could be made that ISIS’s handiwork is too cruel, too unthinkable to capture on screen. That hardly squares with studio affection for torture porn franchises like the “Saw” series, set to resume this Fall with “Jigsaw.”
Storytellers also can relegate the horrors ISIS inflicts to off-screen moments. We can too easily fill in the blanks.
Nazi concentration camps gave us atrocities the likes of which we hadn’t seen before the dawn of ISIS. The film industry routinely tells stories connected to the Holocaust. It’s an essential lesson for a new generation to grasp.
Could storytellers be fearful of a Muslim-led backlash against any such project? Groups aligned with Muslim-Americans frequently speak out when Hollywood tells stories with radical Islamic villains. The Showtime series “Homeland” got hit so hard by those accusations the story veered 180 degrees, making government officials, not Islamic radicals, the bad guys.
Once upon a time, storytellers felt compelled to capture real-life villains. Call it cinematic patriotism. The recent British important “Their Finest” recalled how filmmakers rallied in the early days of World War II to boost the spirits of a war-weary nation.
That’s very rarely the cast these days.
In the wake of 9/11 President George W. Bush’s administration, led by Karl Rove, summoned some Hollywood power players to see if the industry could do its part to fight the new War on Terror.
Those proposals were ignored.
These Heroes Deserve the Spotlight
The brave souls in “City of Ghosts” risked their lives to expose the horrors of ISIS in their home town. In the beginning, both Arab and international media outlets did little to share the news.
They helped change that.
Their stories are remarkable. full of sacrifice and heroism. The documentary detailing it is a must-see event. Why not extend the film to its logical conclusion, cinematically speaking?
Couldn’t a major film studio take the Syrian heroes from “City of Ghosts” and turn them into film characters? The story features Arabs as heroes — the souls behind the RBSS movement (Raqqa Is Being Slaughtered Silently). That would blunt the politically correct folks who might line up against such a project.
To be fair, a few filmmakers have taken on ISIS without reservation. Consider indie films like “Layla M.,” “The Dark Wind” and “The Road to Istanbul.” The closest Hollywood offering? The upcoming “Jack Ryan” TV series starring John Krasinski appears to target ISIS as an early antagonist.
Ironically, the 2002 Jack Ryan vehicle “The Sum of All Fears” starring Ben Affleck swapped out the original story’s Islamic terrorists for Neo-Nazis.
UPDATE: A gimlet-eyed reader did find one major Hollywood production gearing up to tackle ISIS. “The Anarchists vs. ISIS” will star Jake Gyllenhaal and feature American “volunteers, socialists and outcasts” teaming with Kurdish troops to battle ISIS in Syria. The film is based on a Rolling Stone article about true events in the war-torn country.
Wow. What a terrific story. You nailed it by 100%. Like most people, I am exhausted by the Nazi trope. Now when I see a film with “Nazis” as the villains, I don’t go see it, or I change the channel. Nazis bore me in a world of real monsters. The monsters of 80 years ago have been done to pieces.
I friend of mine from Berlin (a German national) said the Germans today are so afraid of the Nazi term they apologize for crimes that neither they or their families ever committed.
Enough already. The enemy of today marches under a black flag and prays toward Mecca. I know not all muslims are terrorists…but most terrorists are muslim. We need Muslims to stand up in their populaces and demand change and we need Imans in these communities to preach that muslim terrorists don’t get 95 virgins (or whatever the primitive belief is) they get damnation instead.
That won’t happen. Muslims will not stand up to the terrorists among them because the terrorists can cite the Koran to support their barbarity. Moderate Muslims, by contrast, don’t have a sura to stand on.
“We need Muslims to stand up in their populaces and demand change ”
I waited 15 years for the moderates to rise up, but aside from a few courageous souls, they’ve remained firmly on their backsides. It’s obvious now that whatever their beliefs, they are as irrelevant as the “good” Nazis were in 1943.
Or the good Germans. Only 15% of Germans were Nazis, so the other 85% rolled over and played dead for the terrific evil done by their nation. As does our Muslim Uma.
all muslims need to go back to the middle east and fight for their freedoms
the muslims are here for one reason and that is to take down our country
there are reasons to not let these muslim people into our country
they are waiting for the jihad call
thank you GOD for not letting hillary become our prez
that would have caused a civil war for sure
i pray for GOD to give trump and his team protection and wisdom and courage
trump is fighting for our way of life
the demons rats are in full force to try and get rid of our warrior, trump
please join me in praying for our country and trump and his team
Holllywood is filled with Islamophobes who are afraid of Muslims. That’s why they don’t make films and TV shows with Islamic terrorists.
You missed another, much larger group of villains Hollywood never noticed: communists.
We were in a cold/hot war with the Soviets and Chinese and their allies for over 70 years, and yet most Hollywood political villains were: the CIA, US corporations, and neo-Nazis. You could count on one hand the movies since 1960 with truly villainous communist bad guys.
In the post-WW2 era, Hollywood reds tried a few pro-Soviet films, which the studios generally blocked. This set up the defensive line that the red writers were harmless; but their real influence was in killing any anti-communist stories from being filmed.
There was plenty of material. Defector Kravchenko’s “I Chose Freedom”, a true story of life under Stalin, was deep-sized by the heroes of “Trumbo”. And how many there?
I can only think of 3 Hollywood films since about 1965 based in the brutality and falseness of the Soviet system: White Nights, Child 44, and Bridge of Spies. All are worth seeing. The greatest of them all, The Lives of Others, is a German production.
Add “Red Dawn” and you are still under a handful.
Maybe now that the Left is agog over Russians and Trump maybe they’ll finally give us Russian baddies. What? It could happen…
Thank you for this post!
Was I Chose Freedom made but not released? I
It’s a question of the enemy of my enemy is my friend. Lefties think Islam will do their work for them destroying western culture and then they’ll take over. Lots of luck on that.
Ever hear of a Dutch film maker named Pim Fortuyn? Yeah, he made a film telling the truth about Islam…. and got his throat cut in broad daylight on a Dutch street by a Muslim.
Hollywood reacts to incentives.
The real reason Clancy’s “The Sum of All Fears” would not make it in Hollywood as written? The terrifying plot is all too plausible and there are middle easterners who would do it w/o a 2nd thought.
Moore should go to Iran and do a documentary on Islamic terrorism. I’m sure the Mullas would welcome the publicity.