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Reviews
Why Kevin Smith’s ‘Dogma’ Remains Deeply Misunderstood
Kevin Smith’s “Dogma” (1999) was the fourth film from the breakthrough New Jersey indie filmmaker and easily his most controversial.…
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Reviews
‘Dangerous Animals’ Takes Shark Horror to New Level
Sean Byrne’s “Dangerous Animals” wastes no time setting up its diabolical premise. We see a nice couple on vacation who…
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Movies
Reeves’ ‘Constantine’ – From Dud to Cult Favorite
Francis Lawrence’s “Constantine” (2005), the first film adaptation from the “Hellblazer” comic book, has become not just a cult movie…
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Reviews
‘Bring Her Back’ Is Repulsive, Not Revolutionary
Danny and Michael Philippou’s “Bring Her Back” is their first film since “Talk to Me” (2022) and exactly the follow…
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Reviews
This Keanu Reeves Casting Decision (Still) Makes Zero Sense
Director Joe Charbanic’s “The Watcher” (2000) is among the many post-“Seven” (1995) serial killer thrillers that appear by the dozen…
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Movies
The Unofficial ‘Final Destination’ Film That Trumps Them All
James Wong’s “Final Destination” is now 25-years old, a six-film franchise (so far) and a celebrated horror series that fans…
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Reviews
Live-Action ‘Lilo & Stitch’ Is No ‘Snow White’
The new Disney live-action remake of “Lilo & Stitch” mostly works, though it’s a lesser film than the emotionally richer…
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Reviews
‘I Come in Peace’ – The B-Movie Classic Time Forgot
Craig R. Baxley’s “I Come in Peace” is a wild, wonderful discovery for those who want their B-movies served with…
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Reviews
Nicolas Cage’s ‘The Surfer’ Is One Summer Bummer
The opening credit materializes over a beach and declares “Nicolas Cage is The Surfer.” For a few seconds, we’re toyed…
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Reviews
Literally Anything Goes in Dizzying ‘Fight or Flight’
“Fight or Flight” is scrappy and so knowingly outrageous, it has a shot at becoming the kind of cult film…
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