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Reviews
PMPF Review: ‘Dead, White & Blue’
Director Mike Davis knows there’s a treasure trove of public domain footage just waiting to be recycled. “I wanted to…
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Reviews
PMPF Review: ‘Queens of the Dead’ Retains Romero’s Progressive Worldview
One of George A. Romero’s signature statements saw zombies stumbling through a mall in “Dawn of the Dead.” That 1978…
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Reviews
‘The Friend’ Perfectly Captures Our Bond with Dogs
Scott McGehee and David Siegel’s “The Friend” begins with Bill Murray playing Walter, a celebrated author, on a jog one…
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Reviews
‘The Road Between Us’ Shows Chasm Between Israel, Hamas
The Oct. 7 survivors interviewed for “The Road Between Us: The Ultimate Rescue” don’t rage against the Hamas terrorists who…
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Reviews
‘Vampire in Brooklyn’ Remains a Tantalizing Misfire
Wes Craven’s “Vampire in Brooklyn” (1995) is among the strangest curiosity items for cinephiles, a misfire upon release that has…
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Industry News
Pittsburgh Moving Picture Festival Brings Satire, Horror to Keystone State
I started the Pittsburgh Moving Picture Festival back in 2022 to celebrate the art and tradition of cinema. Pittsburgh has…
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Reviews
Why ‘The Shining’ Never Loses Its Shock Value
The horror of a broken mind is the central concept of Stanley Kubrick’s “The Shining,” his 1980 horror masterpiece adapted…
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Reviews
‘Good Boy’ Wilts Under Its Remarkable Gimmick
Indy, the dog “actor” in “Good Boy,” might be the most photogenic star of 2025. The horror film offers a…
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Lists
31 Days of Horror: Shockers You Shouldn’t Miss (Again)
It’s October, and that can mean only one thing for horror junkies. There’s no better time to cram in as…
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Reviews
PMPF Review: ‘Influencers’ Jolts Indie Franchise with A.I. Twist
Shooting fish in a barrel has a modern-day equivalent – mocking social media influencers. Gather a thin-skinned group of Instagram…
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