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Reviews
Stephen King’s ‘Graveyard Shift’ Saved by Genre Fave
Ralph S. Singleton’s “Graveyard Shift” (1990) is the odd duck Stephen King film that was released in a banner year…
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Reviews
Buckle In for ‘Bugonia,’ The Year’s Wildest Ride
It’s bad enough being stuck in a conversation with a conspiracy theorist. What if one kidnapped you and forced you…
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Reviews
‘Stitch Head’ Is Less than the Sum of Its Parts
Steve Hudson’s “Stitch Head” is a stop-motion animation comedy taking place in a world where monsters are created but instructed…
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Reviews
Don’t Let a Man-Eating Tree Scare You from ‘The Guardian’
William Friedkin’s surreal, nasty 1990 horror film, “The Guardian” is not the 2006 movie starring Kevin Costner and Ashton Kutcher…
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Industry News
Jamie Lee Curtis’ Sad Backpedal Captures Hollywood Cowardice
“Tinsel Town courage” can be an oxymoron. Stars who gain or lose weight for a role are deemed “brave” in…
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Industry News
Jon Stewart Betrays 9/11 Work with Fawning Mamdani Interview
Jon Stewart perfected the clown nose on/off maneuver. “The Daily Show” host pings between being a “serious” journalist and a…
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Opinion
Why Taylor Sheridan Rules Hollywood
Paramount Plus is having a terrible, horrible, no good, very bad week. Why? The streamer’s VIP, prolific producer Taylor Sheridan,…
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Reviews
‘Candyman: Farewell to the Flesh’ Made the Monster Matter
Bill Condon’s “Candyman: Farewell to the Flesh” (1995) succeeds in a different way from its predecessor, specifically how it is…
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Uncategorized
Adam Carolla Is Gavin Newsom’s Presidential Dreams Killer
You might think twice about running for President if a comic podcaster could shred you in no uncertain terms. It’s…
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Reviews
Is ‘Anniversary’ Anti-Trump … or Just Confused?
“Anniversary” is an MSNBC (MS NOW?) screed that leaves out the bogeyman, presumably on purpose. The dystopian drama imagines a…
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