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Reviews
‘Babygirl’ Capsized by Woke, Wobbly Ending
Nicole Kidman’s character in “Babygirl” has it all. Almost literally. She’s the CEO of a powerhouse tech company, has two…
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Reviews
‘The Fire Inside’ Avoids ‘Rocky’ Template at Every Turn
Rachel Morrison’s “The Fire Inside” arrives at the same time as the smaller but also accomplished boxing sleeper, “Day of…
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Industry News
Kathy Griffin: Rogan, Musk Fans Declared War on Women
Kathy Griffin remains the face of the Trump Resistance 1.0. The comic posted a photograph of her holding a severed…
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Industry News
Daily Beast Podcast: ‘Colbert Is Just Not Funny Anymore’
Stephen Colbert didn’t cry on-air over Donald Trump’s re-election unlike one of his late-night peers. “The Late Show” host might…
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Industry News
Joe Rogan: Biden, Harris Like Last Blockbuster Managers
Late-night comedians hid President Joe Biden’s cognitive decline until they couldn’t a second longer. That happened after Biden’s disastrous June…
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Reviews
‘Nosferatu’ Refuses to Hold Anything Back
Robert Eggers’ “Nosferatu” is the real deal, a faithful remake of the landmark silent film, a passionate love letter to…
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Media Bias
‘The View’ – From Legal Notes to Blaming the Family Cat
Remember the “Twinkie Defense?” Former San Francisco County Supervisor Dan White’s lawyers said he killed San Francisco Mayor George Moscone…
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Reviews
‘The Brutalist’ – A Flawed but Fascinating Epic
Brady Corbet’s “The Brutalist” opens with a knockout sequence. Toth, an architect (Adrien Brody) who fled his country and arrives…
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Industry News
Daily Wire’s ‘Identity Crisis’ to Debut on Elon Musk’s X
The Daily Wire has proven its films can thrive behind a paywall and in theaters. The 2022 documentary “What Is…
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Reviews
‘The Room Next Door’ May Surprise Almodovar Fans
Pedro Almodovar’s “The Room Next Door” immediately sets up its premise. We meet Ingrid (Julianne Moore) signing copies of her…
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