Reviews
Today’s consumers have more entertainment options than ever before thanks to technology and the explosion of new media outlets. That’s why Hollywood in Toto will help readers suss out the very best content across media. We all lead busy lives. Let’s consume only the highest quality movies, television shows and music with our limited leisure time.
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Tyler Fischer’s ‘Pardon’ Just What We Needed
Tyler Fischer isn’t afraid to mock Presidents Joe Biden AND Donald Trump. It’s sad we need to categorize a political…
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This ‘Wolf Man’ Doesn’t Howl. It Whimpers
We’ve tried cremes, powders and ointments, but we can’t get wolf men out of our hair. Everyone from Jack Nicholson…
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‘Identity Crisis’ Sounds Alarm on Gender-Affirming Care
Critics of “gender-affirming care” have no voice in pop culture. Nor do detransitioners, those who underwent the gender-reassignment surgery but…
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‘Oh, Canada’ Is Last Thing We Expect from Paul Schrader
Paul Schrader’s “Oh, Canada” is a morose, strange and only partially engaging drama that represents a rare misstep in the…
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‘The Last Showgirl’ Shares Uncomfortable Truths
Some casting decisions seem almost too perfect. Hiring former “Baywatch” beauty Pamela Anderson to play an aging showgirl clinging to…
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Don’t Believe ‘The Last Showgirl’ Hype
Gia Coppola’s “The Last Showgirl” is a tribute to old Las Vegas entertainers who made a living as the top-billed…
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Remember the OTHER Melania Trump Documentary?
Former and future First Lady Melania Trump remains a mystery for many Americans. The ex-model has kept a relatively low…
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‘Wallace & Gromit: Vengeance Most Fowl’ Is 2024’s Funniest Film
Nick Park and Merlin Crossingham’s “Wallace and Gromit: Vengeance Most Fowl” is the second “Wallace and Gromit” movie from Aardman…
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You’re Welcome: ‘Moana 2’ Delivers More Charm than Expected
I was hesitant to see “Moana 2,” as the response I kept hearing is that the story and songs are…
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‘Mufasa: The Lion King’ – Watch the Original ‘King’ Instead
Barry Jenkins’ “Mufasa: The Lion King” is a visually splendid but overly familiar semi-sequel, mostly prequel to Jon Favreau’s CGI…
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